Influential German group Can brought an improvisatory approach to rock music, prioritizing textural experimentation and rhythmic interplay over pop hooks. Though its members came from avant-garde classical and jazz backgrounds, they embraced the energy and hypnotic rhythms of funk and psychedelic rock, producing a spontaneous yet highly disciplined form of groove-heavy experimental music. Can's albums were typically boiled down from lengthy, intense studio improvisation sessions, similar to Teo Macero's editing techniques on Miles Davis' late-'60s work, and the results ranged from sprawling sidelong epics to songs potent enough to be released as 45s, even making the pop charts on two occasions.