By virtue of his warm and buoyant stage manner, constant touring, longevity, and appearances in the mass media, Tito Puente became one of the most beloved symbols of Latin jazz. But more than that, he managed to keep his music remarkably fresh over the decades; as a timbales virtuoso, he combined mastery over every rhythmic nuance with old-fashioned showmanship. A trained musician, he was also a fine, lyrical vibraphonist, a gifted arranger, and played piano, congas, bongos, and saxophone. His appeal cut across all ages and ethnic groups, helped no doubt by Santana's best-selling cover versions of "Oye Como Va" and "Para Los Rumberos" in 1970 and 1971, and cameo appearances on The Cosby Show in the 1980s and the film The Mambo Kings in 1992.